A tree grows in...Oregon?

 Thumb nails from Sketchbook

Of all the various trees there are to paint, my favorite are the Eucalyptus and the Sycamore; unfortunately they don't do well up here in the Northwest climate so they're very scarce. Oak trees on the other had are everywhere and have a wonderful shape, especially in winter when they're bare-leaved. Pine trees I don't care to paint at all (which may seem ironic in logging country) but they're even more abundant than all the other species put together, so I tolerate them as supporting cast members at times...

 Narrowing it down...

This past January there were a number of cold, but clear days and I was able to get out and do some studies. These quick pencils from my sketchbook were done before starting the composition near the bottom, titled "Behind Winter's Veil".

 This one...

I shifted a few elements around until I came up with a composition that focused the light on one large shape with a second, larger shape in the foreground...

Monochrome study variation in chalk on Canson (5x7)

This drawing is from another location using the same 'dominant light combined with a large shape' idea...

Start on a burnt Sienna canvas

Initial block-in

I originally had some light and shadow lines breaking up the foreground... 

"Behind Winter's Veil" (20x24) o/c

Here is the finished painting; I decided to put the entire foreground in shadow at the last minute to concentrate all of the light on the background tree -- this proved to be more dramatically effective.

It's about the shape and colour in nature and their integral relationships... The old saying, "paint shapes, not things" is good to keep in mind, divesting yourself of preconceived ideas of everyday objects. Trees are noble with individual character, and should be observed that way by the painter, carefully and thoughtfully arranged into pleasing, if not ideal compositions...

Confessions of a Closet Tree Hugger...

October Moon (20x16)

Trees have always fascinated me; from when I climbed my first one as a kid, to when I fell out of one and sprained my shoulder a couple of years ago... their beauty, their majesty and the way painters have captured them throughout history. Examples that come to mind are the watercolours of Percy Grey, or the California Impressionists of the early twentieth century and the sarcastically labeled "Eucalyptus school" -- (Eastern art critics just never understood it)

Here on the Oregon coast, we have a variety of pine that takes such a beating from the hurricane winds that they often resemble the Cypress trees of the mid-California coast -- ragged and spindly, it's amazing how hearty they must be to survive the winters.

Every region of our country has it's own indigenous species of tree that is equated to it's landscape. I miss the Sycamore and Eucalyptus of California, but the Oaks we have here are gorgeous in the fall and the white trunks of the Birch and Aspens are an excellent subject when the light is right and makes them glow. Painting trees are a joy and a freedom from the riggers of figure work too -- you can add a limb to a tree to enhance a composition, but that somehow doesn't work as well with the human form...

Oh Well, Happy Thanksgiving everybody!