Feature article in Plein Air magazine!

Plein Air magazine, May 2016

Thanks to Steve Doherty and Plein Air magazine for featuring me in the new May 2016 issue!

 

HAPPY 2015!

 Goodbye Summer (48x60) o/c

Late in the year I painted "Goodbye Summer" -- it was a large canvas (for me) and actually the first painting that our daughter, Lily posed for.

Evening Garden (8x10) o/c

I had been visiting this large community garden near our home over the summer, doing several sketches (like the one above) to get the colour I wanted. Although it's not easy transferring information from an 8x10 inch sketch to a 4x5 foot format, I think I captured most of it... The biggest challenge is transferring the loose and spontaneous brush strokes; it's not just a matter of using bigger brushes and more paint...

Study for "Goodbye Summer" (8x10) o/c

There is a comfort zone that is in direct ratio to the size of your arm that dictates the application and execution of paint. Brushes can only hold so much pigment and pull only so long of a stroke; once you go beyond those limits, you have to then "patch and section'" larger areas to develop that scale in a style that reflects your smaller, looser plein air sketch... Pretty hard to do unless you go thinner with the pigment and/or break up the information into comfortable portions, using broken colour to convey the looseness on a large scale. 

I also came back over areas of the painting with a 'dry-brush' (thin pigment with no medium or solvent) to drag on a rougher effect -- this too helps convey looseness...

At any rate, it was good practice and reason to pursue more large canvases in 2015...thanks again to Lil for being such a trooper for daddy!

Happy 2015 everybody!

Fall Colour in Plein Air!

 

(9x12)

These are from earlier this Fall, painting with my friend, Anton Pavlenko in Washington state. It was actually a nice warm Autumn day and the colours were turning everywhere -- a great time to paint in the Pacific Northwest!

 

Unfinished (16x20)

This one I didn't get finished on site, but got a good start -- sometimes time and sun light are taskmasters that work in your favor, causing you to stop before you normally would in the controlled light of the studio... I'll finish it later (and with as few strokes as possible to not overwork this foundation done from life).