"Sycamore Trail" (23.5x28.5) oil on linen

This image was comprised from sketchbook drawings, photos, plein air sketches and imagination...

I always go thru a series of thumbnails-to-tighter pencil drawings, working out a composition, and this was no different except that I had some small plein air paintings as a foundation to springboard from...

 Sketch book thumbnails

The painting below (sans the horse which was added later) was done in the foot hills of Saddleback Mountain in Orange County, CA last spring. The horse was added later via a photograph my dad provided from near his home in Mexico. For the larger, "Sycamore Trail" I wanted the rider and pack horse to be scaled way back in  mid-ground so the painting would be formerly a 'landscape' rather than the horses & rider taking the spot light. The supporting trees in the background came from another plein air sketch I did in Irvine Park not far from the painting below...

 

"Waiting" (field sketch 9x12) oil on panel SOLD

I am not quite adept enough yet at pulling accurate horse anatomy purely from imagination, so photo reference was necessary, especially for the horses in motion (something I am constantly studying) but overall I'm pretty happy with the somewhat early California Impressionist feel this one turned out having...

Signature Artist Member with California Art Club!

"Waiting" (12x16) o/c

So happy to be upgraded to "Signature" Artist Member of the California Art Club!

This is a very prestigious art club founded in 1909 and built on the foundation of promoting and supporting contemporary-traditional fine art.  CAC is one of the oldest, largest and most active art organizations in the country, boasting past memberships of such notable west coast painters as, William Ritschel, Euphemia Fortune, Hanson Puthuff, Edgar Payne, William Wendt, etc.

I am very excited and honored to be part of such a great organization, and look forward to many years participating in their events and exhibitions! 

Land of My Nativity...

 To quote Thomas Wolfe & Ella Winter (or, The Shangri-La's) "You can never go home again" is apropos to where my mind is at these days.  'Middle-age' is (for me) a time of living in two camps; the here and now & the fond memories of my past... I know not everyone has fond memories of their adolescence, but I sure do...

"The Land of My Nativity" (24x30) oil on canvas

 I grew up in southern Orange County, California when it still had an abundance of citrus groves -- now there are but a scant few. In fact, the neighborhood where we lived in the 70's was built in an orange grove. Today the grove is long gone (as is the bareness of the hills that surrounded that small valley in San Juan Capistrano) but the memories remain; hide n' seek in the grove, building forts in the eucalyptus trees and coming home with our clothes wreaking of orange juice. 

"The Scarlet Conclusion" (9x12) oil on linen SOLD

In recent years when I've gone back to visit as a painter, the anticipation in my mind's eye never matches up with the reality that exists there now. The barren hills & vistas of the early California Impressionists (or even of my youth) have long since been plowed under in the name of urban sprawl. Those images of undeveloped Southern California are only to be found in history books now, or among the paintings of William Wendt, Edgar Payne and Hanson Puthuff from a century ago...

So although 'I can never go home again' literally, I can still revisit those idyllic places of my youth in my minds eye, and on canvas...  AND (as the Shangri-La's would sing) that's called, "Glad" ~

Northern California and Sonoma Plein Air 2015

 "Autumn Morn" (18x18) oil on linen SOLD

 Just got back from Sonoma Plein Air -- had a wonderful time painting surrounded by rolling hills of undeveloped land -- what Orange County used to look like back in the 60's...beautiful coast there too!

                                             "The Scarlet Conclusion" (9x12) oil on linen

 Had the opportunity to paint with friends, which was a real treat, and it only rained half of Wednesday but the rest of the week was perfect weather. Looking forward to going back next year!

"Blue Sonoma" (6x8) oil on linen

 "September's Glow" (crop 12x16) oil on linen

"California Road" (8x10) oil on linen

Days of Future Past...

 

 Ebb Tide (24x30) o/c

I was able to paint several times in California this year, and grateful for it - the land of my nativity...and first 26 years. Interesting how the environmental imprints of your youth have an effect lasting the whole of your life. Living in the Pacific Northwest, I naturally miss the sunshine thru the winter months, but not the crowds... Still, I find I need to visit as often as possible the older I get.

 

Canyon Morning (9x12) o/c

Instead of a little red sports car or a tawdry affair, I can quell any mid-life crisis with a painting trip to Southern California - especially the coast. Even the coast of Oregon will work if the whether permits (summer time mostly). As parents and relatives pass away,  it's becoming more and more important to visit those places of my youth and connect to the memories of the past.  Painting does that on an entirely new and often deeper level - satisfying and enriching. And I appreciate my encouraging wife who supports me on these trips; I don't believe she understands it fully, but that doesn't matter as long as I get recharged and back home to her again. 

Our daughter who is building her own memories for the future will experience this longing too; memories that will haunt her back home to Oregon someday when she's grown and gone...

Laguna Plein Air Painters Invitational

 "Autumn's Reprise" (16x20)

Here are a couple of my paintings from the recent Laguna Plein Air Painters Association's Invitational event held in October. It was a great week of painting in summer-like weather, and seeing friends & family in So Cal... I grew up in that area and have many fond memories going back to my early childhood when we would visit my mother's best friend there.

"Laguna Gold" (16x20)

In the mid 80's I had a small studio space in north Laguna and lived just south of there in Dana Point. A lot has changed over the years, but the charming character of Laguna remains along with the beauty of it's rocky coves that lured William Wendt and Edgar Payne there a hundred years ago... I hope to return to next years event and do it again -- never tire of that beautiful place!

Laguna Beach Plein Air Invitational

"Trabuco Canyon Nocturne" (16x20)

Off to Laguna Beach this week for the LPAPA Invitational...been wanting to do this one for awhile as that is the area where I grew up. I had studio space in North Laguna for a couple of years back in the mid-eighties, and have been going there with family since the 1960's -- many happy memories of that beautiful town. Hoping to get a last grab of summer weather while I'm there too... The sale day of the show is Sunday Oct 20th, 10am to 3pm at Aliso Creek Inn in Laguna Beach, CA.

So Cal Sketching

Autumn Sycamore

A couple of weeks ago we went down to Southern California for some vacation time, and to celebrate our daughters birthday. I have several family members in the area so it was a kind of reunion time too, and we were also able to spend a few days over the border in Mexico where my folks now live.

Painting at Moss Point in Laguna 
 (photo courtesy Thomas Kitts)

As it turned out, our daughters birthday fell right in the middle of the Laguna Plein Air Invitational (I knew this ahead of time) so I took the opportunity to bring along my paints and with my family's permission, was able to slip away on several occasions to sketch in Laguna Beach and the Pasadena area where I was born... In fact, I was able to spend time with several artists who were in town for the show, but since I was mainly there for family time, I only brought along a little pochade box and kept my sketches to a small 8x10" size.

Quick Colour Sketch

On Thursday, the LPAPA artists all congregated at Crystal Cove to paint the historic cottages there. I figured it was alright to party crash the event since I knew many of the participants (besides it's a public beach anyway) and it was fun to see everyone and the great work they created there.

Moss Point PM

Moss Point Morning

Trabucco Cloud Patterns

I also went to O'Neil Park -- one of the few remaining places in OC where you can pretend to paint like Hanson Puthuff or Maurice Braun (when no ones looking). Unfortunately, I had just missed the Edgar Payne retrospective show in Pasadena by 2 days, but getting out here gave me plenty of inspiration anyway...

San Gabriel Mountains

The day before we flew home, I painted with my friend, Tim Solliday -- I credit him with getting me interested in plein air painting when we first met a number of years ago. Tim is a real inspiration and a dedicated painter of the old school style, working directly from life whenever possible.  He's the one who told me to do a lot of 'starts' and don't worry about the finishes, they'll come along in time...one of the best pieces of advice on painting I ever received.